Saturday, January 22, 2011

Cirque Final

I've posted some works in progress of this one for awhile now, but finally knuckled down in my free moments for the last couple of weeks and made this piece pretty complete.
See what you think. I've got a story about all of this growing in my mind, so I might pursue it a bit more.

A few things I listened to keep myself in a Circus/surreal mood while painting:
  • Rupa and the April Fishes, Extraordinary Rendition
  • Beirut, The Flying Club Cup
  • Laura Marling, I Speak Because I Can
  • Amelie Soundtrack
  • Devotcha, Little Miss Sunshine Soundtrack
  • Jonsi, Go
Thanks for checking in!

Thursday, January 6, 2011

Some Christmas present painting!

On a lighter note, here are a couple of Christmas present paintings I did.

Old paintings of Antarctica

Dear readers, humor some nostalgia and rumination, please.

These aren't new, but are new to this blog, since they're older than it.

I recently went through a lot of old work, especially Antarctic work, for a good, talented friend named Rob Bilek who wanted to do an art trade.

I went to Antarctica in 2005 to paint for three months. It's a huge part of my life, but truthfully I've done very little with the work in about a year. I've been too involved in work with Big Huge Games, teaching, and other artistic pursuits.

Seeing these, looking closely at them, kinda breaks my heart.

I'll never be able to leave oil painting behind for digital completely.

Real media breathes in a way digital cannot, and I say this with full knowledge that I am as much now a digital artist as I am anything else. In another context, I would cry out the virtues of digital work.

Here, though, I get caught up in those little moments of chaotic abstraction happen in landscape paintings with oil or watercolor. They make me catch my breath. I get washed over in it.

And remembering painting Antarctica makes me terribly nostalgic. Looking back at art I did at specific times in my life is like listening to music you listened to in a specific place.
I always return to Antarctica as a subject, and I suspect it's time to explore further, even if it's from my memories and my studio here in Baltimore. That sometimes seems odd to me, since I was only there for three months, and it's been five years now.
But as artists, we have to be honest with ourselves if we're to work honestly, as well, and Antarctica dug deep into me and has never let go.